Mimar Sinan\u2019\u0131n camileri ola\u011fan\u00fcst\u00fc bir b\u00fct\u00fcnsellik i\u00e7ermektedir. Mermeri sanatla, sanat\u0131 hayatla bulu\u015fturur. B\u00fcy\u00fclenmeye avluda ba\u015flars\u0131n\u0131z. G\u00f6zlerinizi alamayaca\u011f\u0131n\u0131z g\u00fczelliklere tan\u0131kl\u0131k ederken, tarihin kokusunu en derinlerde hissedersiniz. Mimari \u00fcslubunun kendine has olmas\u0131, onu di\u011ferlerinden ay\u0131ran en m\u00fchim husustur. O \u015fa\u015fk\u0131nl\u0131k ve hayranl\u0131k deminde, kap\u0131ya ve pencerelere bakarsan\u0131z, pencerelerle duvarlar\u0131n b\u00fcy\u00fcleyici uyumunu, k\u00fcndek\u00e2r\u0131 kap\u0131n\u0131n kubbelere y\u00fckseli\u015fini, kudret eliyle serpi\u015ftirilmi\u015f hissini veren \u201c\u00e7il \u00e7il kubbe\u201dlerin yer yer minarele\u015fip g\u00f6z\u00fc hi\u00e7 rahats\u0131z etmeden sonsuzlu\u011fa ula\u015f\u0131m\u0131na \u015fahit olacaks\u0131n\u0131z.<\/p>\n
Sonra, Yahya Kemal\u2019in \u015fiirinin i\u00e7ine girer gibi, camiye girin, k\u00fcrs\u00fcn\u00fcn mihrapla, mihrab\u0131n minberle, hem birbirinden bu kadar farkl\u0131 ve ba\u011f\u0131ms\u0131z, hem birbirine bu kadar yak\u0131n, b\u00f6ylesine derin ve huzurlu bir i\u00e7 i\u00e7eli\u011fin nas\u0131l sa\u011fland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcn\u2026 Kubbelerdeki sadelikle duvarlardaki renk c\u00fcmb\u00fc\u015f\u00fcn\u00fcn z\u0131t gibi duran karakterlerinde Sinan\u2019\u0131n ruh halini \u00e7\u00f6zmeye \u00e7al\u0131\u015f\u0131n. \u0130mk\u00e2ns\u0131za \u00e2\u015f\u0131k olan deh\u00e2, her eserinde \u201cimk\u00e2ns\u0131z\u201d\u0131 denemi\u015f ve ger\u00e7ek hayatta yapamad\u0131\u011f\u0131n\u0131 yap\u0131p \u201cz\u0131tlar\u0131n estetik uyumu\u201dnu yakalam\u0131\u015ft\u0131r!<\/p>\n
\u201cVe minel a\u015fk!\u201d<\/p>\n
Unutmay\u0131n: Sanat, \u201csonsuz\u201dun ve \u201ca\u015fk\u201d\u0131n ad\u0131d\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"