K\u00fcrtler ancak 21. y\u00fczy\u0131lda kendi kimlikleri ve dilleriyle sinema yapmaya ba\u015flad\u0131lar; sinema sanat\u0131n\u0131n bir y\u00fczy\u0131l\u0131 devirdi\u011fi, b\u00fct\u00fcn \u00fclke sinemalar\u0131n\u0131n \u00f6yk\u00fcde tekrar\u0131 ya\u015fad\u0131\u011f\u0131 bir y\u00fczy\u0131ldan sonra. K\u00fcrt sinemas\u0131n\u0131n her ge\u00e7en g\u00fcn uluslararas\u0131 festivallerde daha \u00e7ok filmle temsil edilmesi, Y\u0131lmaz G\u00fcney gibi bir efsanenin ard\u0131ndan Bahman Ghobadi ve Hiner Saleem’in kazand\u0131klar\u0131 \u00f6d\u00fcller, K\u00fcrt gen\u00e7lerinin sinemaya y\u00f6nelmesini sa\u011flad\u0131. Sinema K\u00fcrtler i\u00e7in neredeyse en \u00f6nemli ‘kendini anlatma’ arac\u0131na d\u00f6n\u00fc\u015ft\u00fc. Bu kapsam\u0131yla K\u00fcrt sinemas\u0131, s\u0131n\u0131rlar i\u00e7erisindeki kay\u0131p bir \u00fclkenin, kaybolmu\u015f bir sinemas\u0131 olmaktan kurtulam\u0131yor. Yine de umutla ve inatla \u00e7ekilmeye giri\u015filen K\u00fcrt filmleri, \u00e7e\u015fitli tarihsel, siyasal ve ekonomik sebeplerle i\u00e7ine kapanm\u0131\u015f\/kapanmak zorunda b\u0131rak\u0131lm\u0131\u015f bir halk\u0131n art\u0131k d\u0131\u015far\u0131ya ses vermesini, d\u0131\u015far\u0131ya a\u00e7\u0131lmas\u0131n\u0131 temsil etmektedir.<\/p>","protected":false},"excerpt":{"rendered":"
Yurtsuzluk, S\u0131n\u0131r ve \u00d6l\u00fcm<\/p>\n