Kant, Saf Akl\u0131n Ele\u015ftirisi\u2019nde \u015f\u00f6yle diyordu: \u201ca priori bilginin ilkeleri olarak duyusal g\u00f6r\u00fcn\u00fcn iki saf bi\u00e7imi vard\u0131r: mek\u00e2n ve zaman\u201d. Deleuze, Kant\u2019\u0131n bu kavramsalla\u015ft\u0131rmas\u0131n\u0131, \u201cbeliren her \u015fey zaman ve mek\u00e2n\u0131n ko\u015fullar\u0131 alt\u0131nda belirir\u201d diye aktar\u0131r. Yal\u0131n bir deyi\u015fle, sanat nesnesinin de, zamansal ve mek\u00e2nsal olmak \u00fczere iki farkl\u0131 ger\u00e7eklik tan\u0131mlad\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. Yap\u0131sal bir \u00e7\u00f6z\u00fcmleme, zamansal olan\u0131n, \u00f6\u011felerin zaman i\u00e7indeki pe\u015f pe\u015feli\u011fine dayand\u0131\u011f\u0131n\u0131, mek\u00e2nsall\u0131\u011f\u0131n ise \u00f6\u011felerin e\u015fzamanl\u0131l\u0131\u011f\u0131yla ger\u00e7eklik kazand\u0131\u011f\u0131n\u0131 g\u00f6sterir. K\u0131sacas\u0131, zamansal olan\u0131n kar\u015f\u0131s\u0131nda mek\u00e2nsall\u0131k bir e\u015fzamanl\u0131l\u0131k durumu\/olana\u011f\u0131 olu\u015fturuyor. E\u015fzamanl\u0131l\u0131k durumu bir ontolojik olana\u011f\u0131n sonucu olan belirli bir olgu olarak ortaya \u00e7\u0131k\u0131yor. Ne ki sadece bununla kalm\u0131yor, t\u00fcm mek\u00e2nsal \u00fcretim alanlar\u0131nda, yeni anlat\u0131m yollar\u0131na kap\u0131 a\u00e7\u0131yor ve sanat\u00e7\u0131n\u0131n d\u00fcnyaya yan\u0131t vermesi i\u00e7in geni\u015f bir s\u00f6z alan\u0131 olu\u015fturuyor. Bug\u00fcn \u015fiir gibi zamansall\u0131kla, resim gibi mek\u00e2nsall\u0131kla kendini g\u00f6steren disiplinlerin yan\u0131 s\u0131ra, m\u00fczik, tiyatro ya da \u00e7a\u011fda\u015f sanat gibi mek\u00e2n-zamansal bir yap\u0131 ta\u015f\u0131yan disiplinlerden s\u00f6z ediyoruz.<\/p>\n
-Aykut K\u00f6ksal<\/p>","protected":false},"excerpt":{"rendered":"